Archive for November, 2007
Latest newspaper photos
Mon Nov 19th - 2:58am
Time for another quick run through my latest newspaper pics, as usual showing just the ones that have been published. Loads of pics waiting in the wings but these are the ones that made it in to print this week, starting with these from the Tain Explorer Unit adventure weekend. (I'm sure they'd hate me describing it as an adventure weekend but that's the quickest way to summarise it.) Done for the Ross-shire Journal and it was the abseiling one that was used.
This shot of the Mermaid of the North in Balintore illustrated a story in the Ross-shire Journal about damage caused by children throwing stones at her.
Time and again I make the same point: Always supply a good range of photos because the person at the paper choosing one for the story may have very different tastes from you. This is a good example, as this portrait which I don't like was the one used on the front page of this week's Ross-shire Journal to illustrate a story about domestic abuse.
Here are some of the alternative photos that I supplied. Both the subject and myself preferred the two on the bottom row.

Here's a bigger version of that last pic, my own favourite:
This fund-raising welly walk at Craighill Primary School was rained off the previous week. The job was for the North Star and like all SPP papers their policy is that if you turn up to a job and find that it has been cancelled then you still get paid for the photo and travel expenses. On that day I did some quick shots of some kids jumping up and down with their wellies on, partly to give the paper something to use in an emergency and partly to prove that I had actually turned up. To my horror, one of those (awful) photos somehow ended up in the paper with my name under it, but I'm not posting it here. The welly walk finally went ahead the next week and this was the big group shot used in this week's North Star.
We did this other group shot too. In some ways I prefer it, in some ways I don't, but I'd have put money on the paper using this one. Shows how much I know.
Playing safe as usual, just in case the group shots didn't work out, I went on the walk and took some action shots on the way. (These school things are so much more fun as an adult, I never miss an opportunity to tag along!)

Now some pics from a ploughing competition. These first two show a father and son who won the Overall Local Champion trophies in the senior and junior categories. These were done on spec for the Press & Journal and the first one was used.
All of the Ross-shire winners, done for the Ross-shire Journal:
And all of the Caithness winners done for the John O'Groat Journal. I assume this has been used but I haven't actually seen the paper yet.
I ended up in an awkward situation with my pics of Remembrance Day in Tain, as both the North Star and the Ross-shire Journal had requested pics but I only had chance to do one set-up. At first what I did was send some parade pics to the NS and I was going to send the set-up pic to the RSJ because they've been giving me a lot more work recently, but doing that felt sleazy because the NS had booked me much earlier so I felt they should have the best photo. So I also sent the set-up pic to the NS and apologised to the RSJ for not getting them anything, which was the first time that has ever happened. After all that, you can imagine how frustrating it was when the NS came out and I saw that they'd used one of the parade pics, so the RSJ could have had the set-up pic after all.
The two parade pics. It was the first one that the NS used although they mistakenly credited me for a pic from somewhere else.

My favourite photo from this week, and the most fun job too. Tricia Dingwall is a dental nurse who recorded an album of pop and rock cover versions and raised £1000 for charity. It's always frustrating when someone gives you 5 minutes of their time, doesn't co-operate and ends up not liking the photo — and Tricia was the complete opposite. I had about half an hour with her and we tried a variety of ideas, all properly posed and all properly lit. And surprise surprise, the result was a lovely portrait that we both liked. This ran HUGE in the Press & Journal.
Once in a blue moon I do remember to take set-up shots to show how a photo was lit. Nearly every newspaper photo I use lighting for is done with these two little flashes, just the positioning changes to produce different effects.
This event at Carbisdale Castle in Sutherland gave young people an opportunity to discuss equality with people from all walks of life. I cut my teeth on candid shots of workshops, concerts and parties but still this event proved very difficult to photograph as the room was packed to bursting and everyone was sitting shoulder to shoulder around small tables. This was the shot used in the Press & Journal. The left side of the frame was a mess so it was cropped like this in the paper, which was exactly what I was hoping they'd do:
Some alternative frames. I really like the vertical one. I was 99.9% sure it wouldn't be used but I like it all the same, it's a vaguely original composition.

As I was leaving with 146 shots on my memory card I wasn't convinced that I'd have even one useable shot, so I had to set something up. Well it's a good job that some of the candid shots were okay because I made a mess of the set-up! I've never used the flash/zoom technique before but I nailed it for this shot of the three organisers… and got the composition wrong! The girl at the front needed to be central to the frame, but because the girl on frame right had her hand stuck out so far it's impossible to crop the image nicely.
Latest newspaper photos
Fri Nov 9th - 10:06pm
You've probaby noticed that I've not been updating my blog as often as usual since getting my car, and no doubt you'll have guessed that it's because I've been off on lots of exciting adventures. Well, actually it's been work work work, but that's my idea of an exciting adventure. Here's a round-up of the latest pics I've done for newspapers. Only the published ones, not the ones that are still on file.
These two photos from Halloween parties at pubs in Tain were both commissioned by the North Star but I never expected both of them to be used, and it was no surprise that the first one, from the Railway Hotel, was the one that made it into the paper. I was able to take these three staff members downstairs to a quiet area and spend some time working on the composition and lighting…
…whereas this one from Maitlands Bar had to be done in a crowded area where the music was so loud that I could only set-up the group by miming what I wanted them to do and then physically moving their hands into position. I think it turned out okay but it's a bit too snapshotty so no surprise that the Railway pic was used.
The new minister at the United Free Church in Balintore. Another frame from this shoot, with his wife and daughter, was used in the Ross-shire Journal (here) and this one appeared very small and in black and white in the North Star.
This photo of David Stewart MSP with Lorna Benson and her horse Shula was ordered by the Ross-shire Journal but was never used, so I'll post it here now as the story has been well-covered elsewhere so it will probably never be used. I was really starting to get the hang of layered compositions when I did this job and it was the perfect technique to bring the politician to the foreground while still keeping Lorna and Shula prominent in the frame.
Alternative frames with just Lorna and Shula. I understand that the candid photo with the kiss was the one that would have been used, which shows that clever composition and lighting can't beat a bit of natural sentiment.

These photos from Alness Academy both had strengths and weakness, but in my opinion were equally good and I expected one of them to make it to the front page. And that's exactly where the first one landed on this week's Ross-shire Journal.
I've never tried a composition like this before, but this story was crying out for it so I gave it a go. Worked very well, I think. I can see things about the photo that could be improved but there's nothing that I would say is 'wrong' with it so I consider it a success. And it was lit from front to back with a single on-camera flash, bounced off the low ceiling at precisely the right angle, which was an achievement in itself.
This next photo goes straight to the top of the list as my best composition to date. If you think it's no big deal then ask yourself: Given the specific task of photographing two boys holding magazines, how would you make the picture interesting?
Both of those Dingwall Academy photos appeared in this week's Ross-shire Journal. Alternative frames from each job:

Each year a different structure mysteriously appears in a field near Tain to advertise a ploughing competition. This photo was for the Press & Journal:
The photo editor requested pics of the tractor with and without the two men. These are the alternative frames:

It seems that I'm the only person who doesn't like this next photo. Well no, more accurate to say that I do like it, but other people like it more than I do. It's nicely lit, it grabs your attention and it's a nice photo of the woman, but there's something about it that doesn't quite work for me.
That photo was actually a lighting test shot. I only had about 10 minutes with the subject so when I saw that the idea wasn't working I quickly tried another set-up and that didn't work either. Because we'd run out of time I ended up doing a totally different photo with a different person at a different location, but when I sorted through the pics I realised that the one above had something good about it, even if it wasn't exactly what I wanted. That photo ended up in the Ross-shire Journal and the photo below was in the Press & Journal.
This photo of baby Morgan with parents Rebecca and Roderick was my first front page photo for the Press & Journal, albeit very small at the bottom of the page.
As you can see from these alternative frames, I really struggled with this job and it was nothing to do with composition or lighting. I just wasn't sure how to photograph a baby with his parents in a 'newsy' way. I did NOT want to produce a cute family photo, but I did want to use soft lighting and I wanted a photo with an edge to it to reflect the slightly downbeat tone of the story. To be fair I'd give myself the usual 10 out of 10 for effort but I think 6 out of 10 for quality of work would be about right. Probably the poorest job I've done in the last few months, despite great co-operation from Morgan and both parents.

Latest RSJ photos
Sun Nov 4th - 1:27pm
Here's a round-up of the latest photos I've done for the Ross-shire Journal. These are just the ones that have been published in the last couple of weeks. Some of the best pics I've ever done (in my opinion) were done last week for the RSJ but they haven't appeared in the paper yet so I'll hold off from posting those until they've been in the paper, presumably next week.
Caberfeidh vs Aberdeen shinty match:
Official opening of the new facilities at Balintore Football Club:
The unveiling of a new mural at the train station in Invergordon:
Alternative frames:
This photo was done to illustrate a story about the possible closure of the Dingwall gala due to lack of funds. I didn't do this job very well because I didn't pay attention to the story, and I produced happy smiley photos for a downbeat story. The paper compensated for my mistake by captioning the photo "still hoping…" to make the smiles make sense. From now on I'll get my head around the story before doing the photos to make sure I produce an appropriate image.
Alternative frames:

Graduates at the Highland Theological College. At the time I thought the composition of this image was really strong, but when I started going through the pics to choose one for the paper I realised that the nice church background would be lost in the crop and we'd be left with that boring plain wall behind them! So this is not nearly as good as I thought it was at the time. Could have done without the sideways shadows too.
Halloween party at the Jubilee Hall in Evanton. One thing I've learned about doing pics like this is that it's best to choose the kids yourself, otherwise you can end up with the organisers picking their favourites and there's no guarantee that they'll be any good at taking directions. So for this photo I introduced myself to the organisers, then hung around at the kitchen door for a few minutes, watching some of the kids playing musical statues. I picked out three girls who I thought would be good for the photo, but by the time I approached their parents I'd lost track of one so I had to quickly choose another. The boy in the pirate/skeleton outfit caught my eye and I think he did okay, but the girls did take direction better.
The new minister at the United Free Church in Balintore, pictured with his wife and daughter. The depth of field is way too shallow so the girls are out of focus. Normally I'd have shot this at f/11 or f/16 but I was using a shoot-through umbrella for the light so I was limited to f/5.6 and it wasn't enough.

Members of "tePOOKa" after their Secrets of the Forest performance in Morangie Forest, Tain. I love working with performers. These guys had the same professional attitude to the photo as they had to the show itself, and they allowed me plenty of time to set-up front and rear lighting, and to make adjustments to the composition. I must admit that I didn't do a great job with the lighting but we still got a strong, eye-catching image. Usually with large groups there will be one person who ruins it by looking away, not smiling, etc, but on this occasion I was the weak link and I didn't notice that some of the people at the back weren't lit properly.
This photo was to illustrate a story about a fund-raising art fair organised by Ferintosh primary school. I wondered if this photo might be rejected because it looks like a snapshot, but it was in fact carefully set-up with lights front and back and this is exactly the image that I wanted to produce. It ran on the front page.
Alternative frames:

Re-opening of the Neil Gunn monument. The composition was dictated by the wind and rain which limited my angles because I didn't want the front element of the lens to get wet, knowing that I wouldn't be able to wipe it dry.
Alternative frames. After the shoot up at the monument I hung around for a couple of hours at the celebration in a church hall so I could do the photo of the woman in front of the Neil Gunn poster. I didn't know if I'd have anything useable from up at the monument due to the bad weather, so I wanted to make sure the paper had at least one image to illustrate the story.

Latest P&J photos
Fri Nov 2nd - 10:13am
This photo from the Commercial Inn, Balintore was what you might call a last-minute thing. I was just heading off to bed when I got a call from George (the guy on the left) asking me to come and take some photos at the pub, which had closed a few years ago but he had re-opened at his own expense for one last night. Originally I was going to get a picture of all the invited guests for one of the local papers but it became clear that that wasn't going to happen, so I grabbed this quick shot for the Press & Journal. By mistake it ran in the Inverness edition of the paper so most people in the village never saw it.
The official opening of the new facilities at Balintore football club required a photo of the funders, which we did outside, and then I took this one of a smaller representative group in the showers. The P&J did a story off the back of the photo but the photo itself didn't run.
This next photo marked the point when it dawned on me that maybe, just maybe, I'll one day be as good at this job as I want to be. I arrived about 40 minutes early to get this photo of some graduates at the Highland Theological College, but what with one thing and another I ended up with about 5 minutes to get the shot. The background wasn't great but it was the best I could find, and the layered composition made for an interesting photo with some depth, helped of course by the gowns. Someone has since pointed out to me that there's a pole growing out of the woman's head, which is usually something that would ruin a photo for me, but on this occasion I never even noticed it. Overall I was very pleased with the way I handled this job, and the photo I produced.

By the time I was doing this photo at a Kempo seminar I was getting quite confident with layered compositions so I thought I'd go for broke and try three layers instead of the usual two. I kept the two people at the back close together but at different angles to separate them, and then brought the guy at the front much further forward. I don't think you can push the layering technique as far as four layers, but this pic shows that three layers can work well if you get the angles right to maintain the leading lines and a connection between the subjects.









































